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AYA Goddess of Light is an intricate and meticulously detailed, projection-mapped and laser-cut sculpture that embodies grace and beauty in the form of an ethereal light goddess. She moves and breathes in light and illuminates the world with awe and wonder meant to delight and celebrate life in all its glorious color.

ABOUT THE ARTIST:

Eddy is a laser cutter projection mapper from Asheville NC and has been in the Festival scene making art for 11 years.

Nature is wild.

Big and small and sometimes both. New perspective can lead to better understanding. Sometimes it feels good to feel small, or to feel like a kid again. Sometimes the wood grain from an old tree tells a story itself… and sometimes big wood bugs are just fun to look at and climb on!

ABOUT THE ARTIST:

Electric Forest has always held a big place in Cole’s heart. He’s been going since it was Rothbury and proposed to his wife on stage during Jai Wolf’s set in 2016. It means the world to him to have a sculpture in The Forest.

"Waabigwan," whispers the beauty of resilience, echoing through Anishinaabe lands. To the Anishinaabe, plants are revered beings, crafted from minerals, water, and light. Many of the vibrant flowers hold deep healing symbolism and represent the essence of life itself. Waabigwan, translating to "flower," invites you to step softly amongst the flowers nestled within the ancestral lands of the Anishinaabe, where every petal tells a visual story, reflecting on the past while embracing hope for the future through technology.

ABOUT THE ARTIST

Danielle Boyer, an Indigenous (Anishinaabe - Enrolled Citizen of Sault Ste Marie Tribe of Chippewa Indians in Michigan) youth artist and robotics designer, is passionate about blending culture and technology to uplift Indigenous communities. She is a robotics inventor and advocate for youth who created The STEAM Connection, a youth-led charity that has reached 800k+ youth with free technical education to bridge the digital divide for Indigenous youths. Danielle seeks to understand how interactive art and technology can support a vision of Indigenous futures through education and representation.

The legendary willow tree stood tall, known as the Willow of Light. Each year during the festival, it illuminated the woods with its radiant glow, drawing curious souls near.

With gentle touches, festival-goers discovered the tree's interactive magic as it responded with cascading lights and playful movements. And when the music played, the Willow swayed in harmony adding to the festival's energy.

Amidst the enchantment, the Willow of Light became a symbol of connection and wonder, where strangers become friends under its luminous canopy. As the night deepened, its magic lingered, leaving memories of joy and dreams in its wake.

ABOUT THE ARTIST

William Brett Schrader, a self-taught artist, has been creating art in the form of jewelry, textiles, and sculpture for over a decade. Discovering his passion by chance with no formal art education, his talent and creativity have shaped his unique style. Constantly evolving at 32, he embraces revision and collaboration, working with various materials like wood, metal, and glass alongside his brother Tyler Schrader. Despite his success, William remains humble, embodying the power of self-teaching and the joy of pursuing one's passions. As he continues to grow artistically, his journey promises exciting new horizons.